Christian marclay records. He holds both American and Swiss nationality. Christian Marclay, Swiss American visual artist whose multidisciplinary work encompassed performance, sculpture, and video. 1 presents 2822 Records (PS1), 1987-2009, a site-specific floor-based installation of vinyl records by Christian Marclay. Marclay's work has Once referred to as “a master of the mix,” Christian Marclay has formed a career around collage, as both a form and a concept, since the late 1970s. Sep 23, 1997 · View credits, reviews, tracks and shop for the 1997 CD release of "Records" on Discogs. A pioneer of using gramophone records and turntables as musical instruments to create sound collages, Marclay is, in the words of critic Thom Jurek Marclay has melted down records into cubes or long sticks, transforming them into art objects whose only relationship to the music-playing originals is in their paper labels, which appear throughout as specks of color. An improvised sound collage, [2] the album was sold as an LP record with no cover or protective packaging, such that the damage from shipping, storing, and playing the record becomes a part of the work. Explore the tracklist, credits, statistics, and more for Record Without A Cover by Christian Marclay. 5M Christian Marclay is a London-based visual artist and composer whose innovative work explores the intersection of sound and the visual world. Consisting entirely of 12-inch records of every musical genre and style, Marclay’s installation highlights the experiential qualities of music and vinyl recording by inviting visitors to walk on the artwork. Christian Marclay is a manipulator of sonorities, developing his work around sound and images related to sound. Thus, loud speakers, vinyl records, album covers Nov 20, 2021 · For nearly 40 years, Christian Marclay (b. He has formed floor-length curtains from transparent Plexi singles and has glued together record fragments of different colors. Marclay garnered international acclaim at the 54th Venice Biennale for his masterpiece video work, The Clock, for which he received the prestigious Golden Lion award. He merges and blurs the lines between music and art with a range of mediums, including vinyl records, album covers, sculpture, photography, installation, works on paper, and video. Much of his art explored the physical and cultural intersections between sound and image, often through the recontextualization of recorded media and its associated materials. Explore Christian Marclay's biography, discography, and artist credits. It was released in 1985 by Recycled Records. View credits, reviews, tracks and shop for the 1985 Vinyl release of "Record Without A Cover" on Discogs. Record Without a Cover is an album by artist Christian Marclay. Compare versions and buy on Discogs In the ‘80s, the Swiss-American artist Christian Marclay made waves embracing chance operations, sometimes cutting up vinyl records and performing the reassembled shards as mutant, noisy surfaces. Christian Marclay (born January 11, 1955) is a visual artist and composer. Turning to the packaging in which the record is Christian Marclay is a New York based visual artist and composer whose innovative work explores the juxtaposition between sound recording, photography, video and film. 1955, San Rafael, CA) has been exploring the connections between vision and sound, creating works in which these two sensibilities enrich and challenge one another. This musically minded practitioner of the fine arts plays on the visual as if it were so many notes to be arranged on a score. Records 1981-1989 is a fascinating collection of Marclay's work during the 1980s, the results of hours of home recordings -- using up to eight turntables and various other instruments of his own making -- plus many live performances (one track comes from a nationally televised appearance on the David Sanborn/Hal Willner program Night Music). As an avant-garde deejay (or “turntablist”) in New York City in the 1980s, he collaborated with such musicians as John Zorn . His multifaceted oeuvre usually takes shape around found objects or what we might call the rubbish of sound. Marclay works in a sampling aesthetic, using fragments from the ephemera of popular culture to create new forms and meanings using audio recording, photography, video, film, printmaking, and collage. The performances were recorded in the gallery, and then pressed and produced as vinyl records by the publisher Vinyl Factory using a vinyl Mar 27, 2021 · RECORDS by Christian Marclay Atavistic Publication date 1981 Topics christian, marclay, records, desconocido Item Size 57. The following decade, Marclay expanded his remixing practice from fractured sounds to sampled images, reconfiguring album covers with the Body Mix series (1991-1992) and post-producing found Other articles where Recycled Records is discussed: Christian Marclay: …extremity of Marclay’s manipulations—for his Recycled Records (1980–86) series, he sliced apart vinyl and reassembled the shards to form new sequences of sound—was considered innovative. Sep 5, 2009 · This fall P. S. We would like to show you a description here but the site won’t allow us. Historical Note From January 28-April 12, 2015, White Cube in London presented a solo exhibition of Christian Marclay's new visual work as well as a program of performances commissioned by Marclay and performed in conjunction with the London Sinfonietta. Shop rare vinyl records, top albums, and more on Discogs. Sep 14, 2018 · Over the past 40 years, Christian Marclay has explored the fusion of fine art and audio cultures, transforming sound and music into a physical form. Marclay's work explores connections between sound art, noise music, photography, video art, film and digital animations.
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