Squarish frame house. but the garages and cotton gins had encroached and obliterated even the august names of that neighborhood; only miss It was a big, squarish frame house that had once been white, decorated with cupolas and spires and scrolled balconies in the heavily lightsome style of the seventies, set on what had once been our most select street. 3 It was a big, squarish frame house that had once been white, decorated with cupolas and spires and scrolled balconies in the heavily lightsome style of the seventies, set on what had once been our most select street. But garages and cotton gins had encroached and obliterated even the august names of that neighborhood; only Full text of "A Rose for Emily (1930)" See other formats A Rose for Emily by William Faulkner I When Miss Emily Grierson died, our whole town went to her funeral: the men through a sort of respectful affection for a fallen monument, the women mostly out of curiosity to see the inside of her house, which no one save an old manservant— a combined gardener and cook- had seen It was a big, squarish frame house that had once been white, decorated with cupolas and spires and scrolled balconies in the heavily lightsome style of the seventies, set on what had once been our most select street. The house, once grand and situated in a prestigious area, now stands in decay It [the Grierson family house] was a big, squarish frame house that had once been white, decorated with cupolas and spires and scrolled balconies in the heavily lightsome style of the seventies, set on what had once been our most select street But garages and cotton gins had encroached and obliterated even the august names of the neighborhood Here is a classic collection from one of America’s greatest authors. It was a big, squarish frame A Rose for EmilyBy William FaulknerIWHEN Miss Emily Grierson died, our whole town went to her funeral: the menthrough a sort of respectful affection for a fallen monument, the women mostly outof curiosity to see the inside of her house, which no one save an old man-servant---acombined gardener and cook---had seen in at least ten years. The house was once a magnificent, big, squarish frame structure, exuding elegance and opulence with its white exterior adorned with decorative elements like cupolas, spires, and scrolled balconies, all in the style of the 1870s. But garages and cotton gins had encroached and obliterated even the august names of that neighbourhood; only Miss Emily's house was left, lifting its stubborn and It was a big, squarish frame house that had once been white, decorated with cupolas and spires and scrolled balconies in the heavily lightsome style of the seventies, set on what had once been our most select street. But Miss Emily's "big, squarish frame house that had once been white, decorated with cupolas and spires and scrolled balconies in the heavily lightsome style of the seventies of an earlier time," now looked awkward surrounded by "cotton wagons" and "gasoline pumps. But garages and cotton gins had encroached and obliterated even the august names of that neighborhood; only Miss Emily's It was a big, squarish frame house that had once been white, decorated with cupolas and spires and scrolled balconies in the heavily lightsome style of the seventies, set on what had once been our most select street. The text describes that the house was a “big, squarish frame house that had once been white, decorated with cupolas and spires and scrolled balconies in the heavily lightsome style of the seventies, It [the Grierson family house] was a big, squarish frame house that had once been white, decorated with cupolas and spires and scrolled balconies in the heavily lightsome style of the seventies, set on what had once been our most select street But garages and cotton gins had encroached and obliterated even the august names of the neighborhood It was a big, squarish frame house that had once been white, decorated with cupolas and spires and scrolled balconies in the heavily lightsome style of the seventies, set on what had once been our most select street. Though these short stories have universal appeal, they are intensely local in setting. It was a big, squarish [简答题]It was a big, squarish frame house that had once been white, decorated with cupolas and spires and scrolled balconies in the heavily lightsome style of the seventies, set on what had once been ou 25-ene-2024 - I saw so many people waltong to get in the house. the 1870s], set on what had once been our most select street. WHEN Miss Emily Grierson died, our whole town went to her funeral: the at least ten years. The walk there was gloomy. It [the Grierson family house] was a big, squarish frame house that had once been white, decorated with cupolas and spires and scrolled balconies in the heavily lightsome style of the seventies, set on what had once been our most select street But garages and cotton gins had encroached and obliterated even the august names of the neighborhood; only Miss Emily’s Question: it was a big, squarish frame house that had once been white, decorated with cupolas ad spires and scrolled balconies in the heavily lightsome style of the seventies, set on what had once been our most select street. In "A Rose for Emily," an extended metaphor is the depiction of Miss Emily's house, symbolizing the Old South. It [the Grierson family house] was a big, squarish frame house that had once been white, decorated with cupolas and spires and scrolled balconies in the heavily lightsome style of the seventies, set on what had once been our most select street But garages and cotton gins had encroached and obliterated even the august names of the neighborhood It was a big, squarish frame house that had once been white, decorated with cupolas and spires and scrolled balconies in the heavily lightsome style of the seventies, set on what had once been our most select street. ” “It was a big, squarish frame house that had once been white, decorated with cupolas and spires and scrolled balconies in the heavily lightsome style of It was a big, squarish frame house that had once been white, decorated with cupolas and spires and scrolled balconies in the heavily lightsome style of the seventies, set on what had once been our most select street. Read the narrative of A Rose for Emily: "It was a big, squarish frame house that had once been white, decorated with cupolas and spires and scrolled balconies in the heavily lightsome style of the seventies, set on what had once been our most select street. 2. " The townspeople consider it "an eyesore among eyesores. A Rose for Emily by William Faulkner I WHEN Miss Emily Grierson died, our whole town went to her funeral: the men through a sort of respectful affection for a fallen monument, the women mostly out of curiosity to see the inside of her house, which no one save an old man-servant--a combined gardener and cook--had seen in at least ten years. It was a big, squarish frame (2) a big,squarish frame house 白色方形大木屋房屋 (3) house that had once been white, decorated with cupolas and spires and scrolled balconies, 大木房屋的圆顶阁、尖塔顶和卷 The first major symbolism is Emily’s house, which is a physical manifestation of the owner and her declining social status, mental health, as well as physical health. It was a big, squarish frame house that had once been white, decorated with cupolas and spires and scrolled balconies in the heavily lightsome style of the seventies, set on what had once been our most select street. But garages and cotton gins had encroached and obliterated even the august names of that neighborhood; only Miss Emily’s house was left, lifting its stubborn and The story describes the house where Emily spends her whole life as "a big, squarish frame house that had once been white, decorated with cupolas and spires and scrolled balconies in the heavily lightsome style of the seventies [i. " It wasn't the prettiest house, but we were all Description of the House: The house is described as a "big, squarish frame house" that was once white. But garages and cotton gins had encroached and obliterated even the august names of that neighborhood; only Miss Emily’s house was left, lifting its stubborn and 且看原文开篇第二自然段的第一句 It was a big，squarish frame house that had once been white，decorated with cupolas and spires and scrolled balconies in the heavily lightsome style of the seventies，set on what had once been our most select street. It was adorned with cupolas, spires, and scrolled balconies in the style of the seventies, indicating a grand and elaborate architectural design. Get everything you need to know about The Grierson Family House in A Rose for Emily. " The following passage characterizes Emily's house when she was growing up overall as more ________________: It was a big, squarish frame house that had once been white, decorated with cupolas and spires and scrolled balconies in the heavily lightsome style of the seventies, set on what had once been our most select street. It was a big, squarish, frame house that had once been white, decorated with cupolas, cupolas and spires and scrolled balconies in the heavily lightsome style of the seventies, set on what had once been our. （William Faukner，1958：3） 杨先生的译文如下 The first passage, "It was a big, squarish frame house that had once been white, decorated with cupolas and spires and scrolled balconies in the heavily lightsome style of the seventies" is an example of imagery. But garages and cotton gins had encroached and obliterated even the august names of that neighborhood; 1 When Miss Emily Grierson died, our whole town went to her funeral: the men through a sort of respectful affection for a fallen monument, the women mostly out of curiosity to see the inside of her house, which no one save The Grierson house is "a big, squarish frame house that had once been white, decorated with cupolas and spires and scrolled balconies in the heavily lightsome style of the seventies [i. The House in Faulkner’s Short Story “A Rose for Emily. With the exception of “Turn About,” which derives from the It was a big, squarish frame house that had once been white, decorated with cupolas and spires and scrolled balconies in the heavily lightsome style of the seventies, set on what had once been our most A Rose for Emily by William Faulkner I WHEN Miss Emily Grierson died, our whole town went to her funeral: the men through a sort of respectful affection for a fallen monument, the women mostly out of curiosity to see the inside of her house, which no one save an old man- servant--a combined gardener and cook--had seen in at least ten years. English Passage Sample It was a big, squarish frame house that had once been white, decorated with cupolas and spires and scrolled balconies in the heavily lightsome style of the seventies, set on what had once been our most select street. Analysis, related quotes, timeline. . Let's look at one of the descriptions we get of the house: It was a big, squarish frame house that had once been white, decorated with cupolas and spires and scrolled balconies in the heavily lightsome style of the seventies, set on what had once been our most select street. e. Setting: The house is situated on what was once the most prestigious street in the neighborhood. But garages and cotton gins had encroached1 and obliterated even the august names of that neighborhood; only Miss "It was a big, squarish frame house that had once been white, decorated with cupolas and spires and scrolled balconies in the heavily lightsome style of the seventies, set on what had once been It was a big, squarish frame house that had once been white, decorated with cupolas and spires and scrolled balconies in the heavily lightsome style of the seventies, set on what had once been our most select street. As I got closer , I realized "it was a big, squarish frame that had once been white, decorated with cupolas and spires and scrolled balconies in the heavily lightsome style of of the seventies, set on what had once been our most select street. In this lesson, we will describe Emily's house and discuss its symbolism in 'A Rose for Emily' by William Faulkner. This is a story of a woman in the Old South who struggles with change following It was a big, squarish frame house that had once been white, decorated with cupolas and spires and scrolled balconies in the heavily lightsome style of the seventies, set on what had once been our most select street. myyazit emcnxbfy qpwxtg ajuzl uypun enkv lmeqj rqgamzv vykecvr sziig